Nerys Johnson: Disability and Practice

Free entry, donations welcome

Barbour (watercolour) gallery

The exhibition explores Johnson’s lived experience of rheumatoid arthritis and the subsequent impact of disability on her artistic practice. The works on display have been chosen from a large body of Johnson's work, which was donated to the Laing by the Estate of Nerys Johnson in November 2022. 

The archive is comprised of thousands of works on paper, including sketchbooks, prints, and watercolours, dating from throughout her artistic career.  

Johnson is most well-known for the vibrant and often intense colours in her work combined with dramatic and abstract forms of flowers, often set against dark backdrops. Her work, however, is varied—she uses different media and includes a variety of subjects beyond flowers, notably including self-portraits, abstract nudes, and architectural motifs.  

She was also interested in movement and states of change, which began with studies she produced as a student of Fine Art in Newcastle. During this time, she began to actively consider the parallels between human and plant forms, an important theme that extended throughout her life.     

As part of the exhibition, the Laing Art Gallery has commissioned Surface Area Dance Theatre, a live performance organisation that works at the interface between sign language, D/deaf culture, and dance, to develop and produce a performance to camera in response to the Nerys Johnson archive, titled Down Amongst the Plants.  

Down Amongst the Plants pays tribute to Johnson’s engagement with the rhythms of nature through Butoh, a form of Japanese dance. The choreographer of the performance, Vangeline, is the artistic director of the internationally acclaimed New York Butoh Institute, based in New York, USA.  

Johnson was not only an artist, but also a curator. Her curatorial career began at the Laing Art Gallery in 1968, when she took up the post as a Keeper of Fine Art. She eventually became the Keeper in Charge of the Durham Light Infantry Museum and Arts Centre (DLI) in 1970. During this time, the museum’s Contemporary Art Centre became a regional hub for art, attracting internationally acclaimed artists like Bridget Riley and Henry Moore. 

Nerys Johnson: Disability and Practice celebrates the richness of Johnson’s life and work and explores how her individual artistic practice flourished with the support of her vast social network.